From Boulder River, with Love.
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Author: Greg
My latest review is now in Rain Taxi! Laura Eve Engel’s Things That Go, where “the entirety of the world is moving, and our understanding along with it is moving too—often to our surprise and overwhelmingly beyond full comprehension.” Read more here.
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Pic: The Spikes Inside Us
From the BeltLine, Atlanta, with Love.
From Rialto Beach, with Love
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Pic: The Over Flows
From The Cedar River (Renton, Washington) with Love.
On January 31, 2020, Sherwin Bitsui with Elee Kraljii Gardiner read at the Richard Hugo House and I had the pleasure of listening from the front row. Below are the tracks from this event, which included a conversation/Q&A after each poet read.
From the January 17, 2020 event at Seattle Town Hall: A Scribe Called Quess?: Dismantling the Colonial Legacy.
Learn more about Quess at his website.
Nikkita Oliver performed poetry and interviewed Quess after the talk.
The recording (MP3) is 101 minutes:
A new review of Joe Hall’s mesmerizingly brutal poetry collection Someone’s Utopia, is now up at North of Oxford.
I’ve decided to start putting all of the Gaming videos I make in a single playlist. It’s curious that as a result of my review project, I’ve found interest in and comfort with the “let’s play” method of going through the game. The terrible thing is that I’m terrible at it, and my microphone is awful, and, well, it’s just really rough. But why not contribute to the swamp of video content with my own, rough and weird recordings? You’ll find them in the playlist below. So far I have the original Call of Duty project description, the Call of Duty let’s play, and (uploading now) the Call of Duty: United Offensive let’s plays (parts 1 and 2).
In other news, I have yet to start Call of Duty 2. But it’s coming. I promise [myself].
In 2020, I will be reviewing all Call of Duty games (for the PC), using a set of criteria that reflects my personal interests with gaming. I’ve described the project in this introductory video.
The 2020 MLA Offsite Reading, which featured mostly poetry, occurred at Town Hall Seattle yesterday. There were many readers, and most of them read for 2 minutes or less. The event was broken into three parts, with three hosts. The recording, which I made happen with my new H6, is below. Audio is minimally edited, as usual, but at least complete. I have listed all of the poets along with the host. The event is added to my Recordings archive page as well.
Host: Jeanne Heuving
Readers: Kazim Ali, Prageeta Sharma, Diana Arterian, Cameron Awkward-Rich, Woogee Bae, Quentin Baker, Amaranth Borsuk, Rebecca Brown, Amy Sara Carroll, Sarah Chavez, Ken Taylor, Richard Chiem, Kate Colby, Michael Cross, Zhang Er, C. R. Grimmer
Host: Amaranth Borsuk
Readers: Stefania Heim, Rae Armantrout, Jeanne Heuving, Ted Hiebert, Ever Jones, Douglas Kearney, Larissa Lai, Donato Mancini, Natalie Martinez, Nadine Maestas, Sarah Mangold, Joe Milutis, Robert Mittenthal, Paul Nelson, Aldon Nielsen, Katelyn Opegard, Bob Perelman
Host: Ted Hiebert
Readers: James Reed, Juan Carlos Reyes, Katie Schaag, Leonard Schwartz, Ada Smailbagovich, Danny Snelson, Ching-In Chen, Billie Swift, Monica de la Torre, Matthew Trease, Lesley Wheeler, Tyrone Williams, Deborah Woodard
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The Start of 2020 in Media
How to begin the year 2020 in my consumption patterns? With a footnote that says, this is how I begin:
Games
The Outer Worlds, Plague Tale: Innocence, Life is Strange 2, and Call of Duty (this last one is for a very special project that will hopefully send the new decade into a more critically-thinking space).
Music
Roxy Music, Taylor Swift, Swans, Stereolab, Sonic Youth, Ritchie Valens, Ricky Martin, Prince, Prefab Sprout, Jimi Hendrix, Jim O’Rourke, Jennifer Lopez, Floating Points, clipping., and DaVido.
Movies
The Witches (1990) and Destroyer (2018).
Books
The Water Dancer, and Dawn of the New Everything.
I listened to 215 albums in 2019. Incredible, really, now that I’ve been able to track the albums I listen to and find appropriate ways of listening to them. They weren’t all released in 2019, of course, but many were. Below you’ll find my favorite albums that came out last year. This is a new type of post for me, so feels a bit basic, but I have the data, so why not share it? Note: some of these may be re-releases. And note: they are listed in alphabetical order.
Silences by Adia Victoria
Malibu Ken by Aesop Rock
Sunshine 3 by Aleksi Perala
I’m Losing Myself by An Isolated Mind
ANDRES IV by Andres
All the Mirrors by Angel Olsen
Death Becomes Her by ANGEL-HO
thank u, next by Ariana Grande
Organism EP by Ariel Zetina​
Signal Bulletin by ASUNA & Jan Jelinek
Cows on Hourglass Pond by Avey Tare
Gold and Grey by Baroness
Dark: Cycle 1 (Original Music From The Netflix Series) by Ben Frost
Dark: Cycle 2 by Ben Frost
Odds Against Tomorrow by Bill Orcutt
LOVE AND AFFECTION FOR STUPID LITTLE BITCHES by Black Dresses
Destroyer by Black Mountain
Blacks’ Myths II by Blacks’ Myths
Animated Violence Mild by Blanck Mass
i,i by Bon Iver
Free Company by Boy Scouts
Let’s Try the After by Broken Social Scene
Scholars by Buke and Gase
Dive / Rain by Burial and Bug
The Act of Falling from the 8th Floor by Carl Gari & Abdullah Miniawy
Myths 004 by Cate Le Bon
Zandoli EP (Bandcamp by Charlotte Adigery
Stuffed & Ready by Cherry Glazerr
Immaculada High by Cherubs
Brace Up! by Chris Corsano and Bill Orcutt
Ancestral Recall by Christian Scott aTunde Adjuah
Hectic Shakes EP by Christoph de Babalon
Gazing in the Dark by Copperhead
I Need a New War by Craig Finn
Pure Imagination No Country by Dave Harrington Group
Occulting Disk by Deathprod
Why Hasn’t Everything Already Disappeared? by Deerhunter
I Don’t Know How to Be Happy by Deli Girls
Deceiver by DIIV
PURGE by Dis Fig
Kinshasa One Two by DRC Music
Sweet Princess EP by Dry Cleaning
New Atlantis by Efdemin
Empire EP by Eli Keszler
Water Memory by Emily A Sprague
Scenery by Emily King
Musical Prophet – The Expanded 1963 New York Studio Sessions by Eric Dolphy
Neighborhoods by Ernest Hood
Agora by Fennesz
MAGDALENE by FKA Twigs
Emily Alone by Florist
Hi This is Flume by Flume
Unsound Festival mix (YouTube) by Forest Swords
Close it Quietly by Frakie Cosmos
Haunted Items #1-4 by Frankie Cosmos
Failed Entertainment by FURY
A People’s History of Gauche by Gauche
The Envoy by Gavilan Rayna Russom
Phantom Rhythm by Gong Gong Gong III
After its own death / Walking in a spiral towards the house by Grouper
This is How You Smile by Helado Negro
A Fossil Begins to Bray by Hiro Kone
Modern Nature by How to Live
Venus in Leo by HTRK
Mdou Moctar by Ilana (The Creator)
Sulphur English by Inter Arma
Otoboke Beaver by Itekoma Hits
FLY or DIE II: bird dogs of paradise by Jaimie Branch
Tatizo Pesa by Jay Mitta
Tracing Back The Radiance by Jefre Cantu-Ledesma
On the Line by Jenny Lewis
Mise En Abyme by joni void
Mandatory Reality by Joshua Abrams and Nautral Information Society
La Onda de Juan Pablo by Juan Wauters
Tides: Music for Meditation and Yoga by Kaitlyn Aurelia Smith
Lux Prima by Karen O
Origin EP by Kelly Moran
No Home Record by Kim Gordon
Solitude by King Midas Sound
Lifetie by Klein
The Bells by Kornél Kovács
Panorama by La Dispute
Ancestor Boy by Lafawndah
DJ Kicks by Laurel Halo
Loom Dream by Leif
River without Banks by Leo Svirsky
Thanks for the Dance by Leonard Cohen
October Song by Lighting Bug
Caligula by Lingua Ignota
Gray Area by Little Simz
lofeye by lojii
Antidoes 1 (Open Spotify) by Lucinda Chua
Many Any by Max D
Dolphine by Mega Bog
Fever by Megan Thee Stallion
Komachi by Meitei
Coastal Erosion (YouTube) by Merzbow & Vanity Productions
Tears of Joy by MIKE
Power Chords by Mike Krol
How to Live by Modern Nature
Lost Wisdom Pt 2 by Mount Eerie and Julie Doiron
Mr. Muthafuckin’ eXquire by Mr. Muthafuckin’ eXquire
Volume One: Dilemmas Of Identity (YouTube) by Nate Young
Colorado by Neil Young and Crazy Horse
Miss Universe by Nilufer Yanya
Radiant Dawn by Operators
basking in the glow by Oso Oso
Phoenix by Pedro the Lion
Nighttime Stories by Pelican
Tasmania by Pond
Morbid Stuff by POP
The Seducation of Kansas by Priests
Am I Who I Am by PTU
Self-Titled by Purple Mountains
Guns by Quelle Chris
Cages by Redbait
ATAXIA by Rian Treanor
Inferno by Robert Forster
Oli XL by Rogue Intruder, Soul Enhancer
Stars Have Eyes by Saint Abdullah
That’s Harakiri by Sd Laika
We Are Not Your Kind by Slipknot
Self-Titled by Sofia Kourtesis
When I Get Home by Solange
Mazy Fly by Spellling
Beware of the Dogs by Stella Donnelly
Athena by Sudan Archives
Life Metal by Sunn O)))
Illegal Moves by Sunwatchers
Leaving Meaning by Swans
Toothsayer by Tanya Tagaq
Dreams Are Not Enough by Telefon Tel Aviv
No Geography by The Chemical Brothers
The Devil You Know by The Coathangers
In League with Dragons by The Mountain Goats
No Holiday by The Muffs
Vessel (Revolver) by Theories
ANIMA by Thom Yorke
No Treasure but Hope by Tindersticks
II by TNGHT
Outer Peace by Toro y Moi
Deforming Lobes by Ty Segall
First Taste by Ty Segall
Signals Into Space by Ultramarine
Pacific Breeze by Various
Titanic Rising by Weyes Blood
Girl With Basket Of Fruit by Xiu Xiu
SECOND LANGUAGE by XXX
Mujeres by Y La Bamba
WAHALA by YATTA
Spirit Said Yes! by YATTA
ATO by Ziur
Though I haven’t been posting the games I’ve been playing over the last few years (the last time was in 2016), I have been keeping track each year (obsessively, even). Here is a list of all the games I’ve played this past year, with some statements on the in-game representation/diversity in each of them (something I’ve started tracking as of 2019). Bolded titles are my highlights. Note: I couldn’t think of a proper way to sort the list, so they are from oldest played (at the top) down to newest. I’ve included two pieces of data in this list as well–a relatively objective “platform” and a relatively subjective “rating out of 10.” 9s and 10s are bolded.
Note: I do plan on expanding the diversity and representation comments for the 2020 year. I am grateful to have been able to start looking at these games through this lens, and feel fortunate for encountering games that were above average in this context by default, to serve as inspiration for the second year going.
Coaster Combat (VR, 6/10): No diversity, really.
Dark Days (VR, 5/10): Female lesbian protagonist
Mirror’s Edge: Catalyst (PC, 6/10) Female protagonist; very diverse characters.
Life is Strange: Before the Storm (PC, 10/10): Female protagonist.
Playable Teaser (PC, 6/10): None really.
Hellblade: Senua’s Sacrifice (PC, 9/10): Mental health, female protagonist.
Cuphead (YouTube, 10/10): Cartoonish; no real diversity representation here.
Bioshock Remastered (PC, 10/10): Diversity is minimal, with some Asian stereotyping (the doctor).
Resident Evil 2 Remake – Leon and Claire (YouTube, 9/10): Very minimal as most of the characters that aren’t zombies are white.
Traveling While Black (VR, 9/10): African American story and lens. Note: this isn’t so much a “game” as a non-interactive VR experience.
Project Rampage (VR, 2/10): None really.
Pinata Party (VR, 7/10): None really.
Rush (VR, 10/10): None really.
Eastshade (PC, 8/10): Amazing degrees of diversity across genders, backgrounds, etc.
Notes on Blindness (VR, 10/10): Focuses on a disability.
Devil May Cry 5 (YouTube, 7/10): Very minimal representation of women; mostly white men.
Far Cry New Dawn (PC, 8/10): Pretty diverse cast of characters, including race and age and gender.
Devotion (PC, 10/10): Taiwanese, parents and child.
Bulletstorm: Full Clip Edition (PC, 9/10, second playthrough): Some diversity racially, but not much.
The Awesome Adventures of Captain Spirit: (PC, 9/10): Playing as a child in a middle class household.
Nier Automata (PC, 10/10): Fairly diverse in terms of robots versus humans.
Pikuniku (PC and YouTube, 9/10): Pretty strong instance of representation between beings and robots and animals.
What Remains of Edith Finch (PC, 9/10): Really great representation of ages and backgrounds.
Shadow of the Tomb Raider (PC, 7/10): Great representation of different cultures and awesome use of native language tracks.
A Way Out (PS4, 5/10): Barely any diversity beyond the white homogeneity.
Metro Exodus (PC, 10/10): Age and some racial diversity.
Hitman (2016) (PC, 9/10): Fairly good at representing the multiple countries that are featured in the game.
Hitman 2 (2018) (PC, 9/10): Once again fantastic representation from cultures all over the globe.
Dead or Alive 5 Last Round (PC, 7/10): Pretty awful portrayal of women. Multiple cultures but stereotypes only.
Deltarune (Undertale Sequel) (PC, 9/10): Amazingly beautiful game representing many perspectives.
Observation (PC and YouTube, 10/10): Mostly white; interesting taking the robot perspective.
Blair Witch (YouTube, 6/10): Not much racial diversity; inclusion of dog companion is okay.
Control (PC and YouTube, 7/10): Some diversity, but the focus doesn’t appear to be on representation.
Outer Wilds (PC and YouTube, 7/10): Not much focus on others in the human sense, and diversity exists but doesn’t speak too directly to it.
Greedfall (PC, 6/10): Diversity is apparent; not much commenting on race. There is a lot on colonialism and indigenous domination, however (that’s really the point of the game).
Disco Elysium (PC, 10/10): Incredible range of characters, worldviews, and backgrounds.
Metro 2033 Redux (PC, 9/10): Not very diverse. Typical straightforward monoculture.
Layers of Fear 2 (PC and YouTube, 6/10): Unintentional representation; not particularly engaging.
Metro Last Light (PC, 9/10): Not very diverse, but a lot of range in morality.