Now out via North of Oxford, a review of the slimmest of Meister’s poetry from Wave.
Author: Greg
Here find a new audio track I created for Denny Stern, artist and writer and collaborator in Seattle.
My first audio project of 2024 is “The Old Way,” a track that starts with a field recording. […]
Now’s a great time to revisit my reviews of Rodrigo Toscano and Elizabeth Cooperman.
A new review is in the print edition of International Examiner.
My latest project is complete, and it’s noisy.
I’m excited that my dear friend Maung Day has a new book out, published by Chin Music Press. […]
The soundtrack I created for the Altar(ations) performance during Altar/Alter is now on Bandcamp. At roughly 30 minutes and featuring field recordings from 11 locations, it’s one of my more ambition productions. Check it out below.
Arc Humanities has published Caroline Bergvall’s Medievalist Poetics, an anthology of writings about Bergvall’s writings. Chapter 13 is […]
It’s essentially winter here in Spokane, and the reviews keep coming down the line.
I am excited to announce a new project: Carbonation Press, a publisher of small batches of smaller (but not small) books, usually around 75-125 pages in length.
My latest review at North of Oxford is a double: two titles by poets in Spokane.
I had the privilege to be the primary “audio visual recording specialist” for the latest Cascadia Poetry Festival. What an amazing experience. Out of all the readings, the after party proved one of the most intense, most exciting, most enthralling. Pictures and recordings here.
My review of poet Eric M. Acosta’s new book, Motion Flesh, is now up at North of Oxford. […]
I’ve once again revisited Rosselli’s work, the experimental classic The Dragonfly (from Entre Rios Books), translated by Seattle-based Deborah Woodard and Roberta Antognini.